Ondřej Daniel

Mgr. Ondřej Daniel, Ph.D.

Člen Oddělení pro historické vzdělávání a public history / member of Department for Historical Education and Public History

  • Koordinátor Erasmus pro vyjíždějící studenty a pedagogy / Erasmus coordinator for outgoing students and staff

Filozofická fakulta Univerzity Karlovy 
nám. Jana Palacha 2, Praha 1, 116 38

Kontakt: ondrej.daniel@ff.cuni.cz

Konzultační hodiny

Vzdělání a akademická kvalifikace 

  • 2005 – 2012: doktorské studium, obor Historie/obecné dějiny, Filozofická fakulta Univerzity Karlovy
  • 1997 – 2004: magisterské studium obor historie, Filozofická fakulta Univerzity Karlovy

Přehled zaměstnání 

  • Od 2019: odborný asistent, Ústav světových dějin FF UK

Odborné zaměření 

  • Komparativní kulturní dějiny evropského postsocialismu
  • Migrace a transnacionalismus v současných dějinách
  • Populární kultura a subkultury v dějinách středovýchodní a jihovýchodní Evropy
  • Stereotypizace, xenofobie a rasismus v dějinách středovýchodní a jihovýchodní Evropy

Granty 

  • Contemporary Histories of Populist Success in Central and Eastern Europe: Discourse, Culture, and Democratic Decline (Seed Fund, University of St Andrews, 2024-2025), grant holder.
  • „Härte gegen Punk“ Subkultur und staatliche Repression im Vergleich: DDR und die Bruderländer (Czech-German Future Fund, 2024), project partner.
  • Contemporary Cultural History 2.0: Education, Research and Society (Czech-German Future Fund, 2024), grant holder.
  • Exploring the Collapse of the Bipolar World and the Emergence of a New Identity in Eastern Europe and Its Sub-Regions, Internal grant agency of Jagiellonian University (2024-2025), project partner.
  • Contemporary Cultural History 2.0: Learning by researching, AKTION Czech Republic – Austria, OeAD-GmbH (2024), grant holder.
  • Negotiating the Revolt in Czech and Slovak Postsocialist Transition, Czech Science Foundation (2024-2027), core member of the team.
  • Contemporary Cultural History 2.0: Nurturing Talents of Central and Central Eastern Europe, Central European Network for Teaching and Research in Academic Liaison (CENTRAL, 2023-2024), grant holder.
  • TRACTS (Traces as Research Agenda for Climate Change, Technology Studies, and Social Justice), COST Action (2021-2025), CA member.
  • Mapping and Boosting Digital Humanities in the Visegrad region, International Visegrad Fund (2021-2023).
  • Europe, Central European Network for Teaching and Research in Academic Liaison (CENTRAL), Mapping the Scenes: Digital Humanities in Cultural Studies in Central and Central Eastern Europe (2021-2022).
  • Habilitační stipendium AKTION (Česká republika a Rakousko 2021-2022).
  • Grantová agentura České republiky, Překrásný nový svět: mládež, hudba a třída v postsocialismu (20-24091S, 2020-2022).
  • NEP4DISSENT (COST Action CA 16213 New Exploratory Phase in Research on East European Cultures of Dissent, 2017-2021).
  • ENRESSH (COST Action CA15137 European Network for Research Evaluation in the Social Sciences and the Humanities, 2016-2020).
  • Stipendium Erste Foundation a WUS Austria (2014 – 2016).
  • EDUMIGROM (Ethnic Differences in Education and Diverging Prospects for Urban Youthin an Enlarged Europe, 2008-2011).
  • CLIOHRES.net (2005-2010).
  • Cena Vzdělávací nadace Jana Husa (2007).
  • Stipendium AKTION (Česká republika a Rakousko 2007).
  • Stipendium CNOUS, Francie (2005-2008).
  • Cena Hlávkovy nadace (2006).
  • Stipendium CEFRES (Centre français de recherche en sciences sociales – Prague, 2004-2005).

Mezinárodní konference a zahraniční přednášky

  • Czech Punk: From Rebellion to Heritage, Rethinking Music Heritage, University of the Arts Helsinki, 15.-17. October 2025, Helsinki (FI).
  • (together with Miroslav Michela) Methodologies of Czech Punk Histories: Memory and Academia, The Past, the Present and the Future of Popular Music Research in Central, Eastern and Southeastern Europe Post, IASPM CESE 1st international conference, Jagiellonian University, 11-12 September 2025, Kraków (PL).
  • Swimming Pools and Bus Stops: Places of consumption of Popular Music in the Bohemian-Moravian Highlands during the long post-socialist period, Musik und Ländlichkeit Musikalische Praktiken, Stile und Kulturen in der gesellschaftlichen Transformation, Freiburger Forschungs- und Lehrzentrums Musik FZM Hochschule für Musik Freiburg / Zentrum für Populäre Kultur und Musik, 3-5 July 2025, Freiburg im Breisgau (DE).
  • Narrating Velvet Revolution: Popular Music between Messianic time and Transitional culture, 23rd annual plenary conference of the Society for Musicology in Ireland, University College Dublin 19-21 June 2025, Dublin (IE).
  • Beyond the Shadows: Transgression and Identity in Second Wave Black Metal, Transgressive Identities and Subjectivities Conference, Birmingham City University, 17-18 June 2025, Birmingham (UK).
  • (together with Jakub Machek) Brass Bands and Nationalism: Music, Identity, and Bourgeois Culture in 19th-Century Czech Lands, From Private to Public: the Institutionalisation of Bourgeois Music Culture in the Long 19th Century, Croatian Musicological Society, 16 May 2025, Zagreb (HR).
  • Battle for the soul of music subcultures: exposing and opposing far-right music in Czech postsocialist antifascism, Antifascism(s) from 1989 to the present. Actors, Meanings, Practices and Circulation, Alcide Cervi Institute, University of Modena and Reggio Emilia, Ferruccio Parri National Institute, 28-30 April 2025, Reggio Emilia (IT)
  • Sounds of the Other: Czech popular music as “populist” and/or “nationalist”, Contemporary Histories of Populist Success in Central and Eastern Europe: Discourse, Culture, and Democratic Decline, University of St. Andrews, 13 March 2025, St. Andrews (UK).
  • Ethical Considerations and Data Collection in Researching Psychedelic Music Festivals: Balancing Participant Experience and Scholarly Inquiry, DC25: Dancecult Conference 2025, Technical University of Berlin, 24-25 January 2025, Berlin (DE).
  • From the Margins to the Mainstream: The Rise of Punk and Alternative Culture in Post-Socialist Czechoslovakia (1989-1990s), Punk Scholars Network Annual Conference, Stirling University, 13 December 2024, Stirling (UK).
  • Antifascist Memory and Conviviality: Exploring Transformations in Czech Postsocialist Movements, The Art of Conviviality, MSA Nordic’s Third Biennial Conference, Malmö University, 24–25 October 2024, Malmö (SE).
  • Swimming Pools and Bus Stops: Places of consumption of Popular Music in the Bohemian-Moravian Highlands during the long post-socialist period, Place, Perspective and Popular Music, IASPM UK/Ireland Branch Conference, International Centre for Music Studies, Newcastle University, 4-6 September 2024, Newcastle upon Tyne (UK).
  • (together with Alexandra Karamoutsiou) Politics and identities of Rock: Convergences and divergences within the contexts of Metapolitefsi and Postsocialism, Popular Music in Greece: Politics and Identities, Popular Music in Greece: International Research Collective, University of Ioannina, 11 – 14 July 2024, Delvinaki (GR).
  • Lifestyle against Politics: (Sub)cultures of Czech and Russian Postsocialist Antifascism, The British Association for Slavonic and East European Studies (BASEES) 2024 annual conference, Cambridge University, 5–7 April 2024, Cambridge (UK).
  • (together with Jakub Machek) Sounds of Resistance: Music and Cultural Expression in Czech Postsocialism, Popular Music, Affect, and Audiences, Popular Music in Greece: International Research Collective, National Hellenic Research Foundation, 30 March 2024, Athens (GR).
  • Black Celebration in Red Prague: Concert of Depeche Mode in March 1988, Re-Constructing Perestroika(s), Leibniz Centre for Contemporary History Potsdam, 14-15 March 2024, Prague (CZ).
  • Bass Vectors: 40 years of Transfers of Czech Dub Music, 8th Global Reggae Conference „A Century of Sound: Technology, Culture and Performance, Institute of Caribbean Studies of the University of the West Indies, 14-17 February 2024, Kingston (JA).
  • (together with Katharina Alexi) Hate Gone Pop: Racism and Popular Musical Memory of the 1990s – a Comparative Study of the former Czechoslovakia and East Germany, Pop after Communism. The Transformation of Popular Culture after 1989/90, Leibniz Centre for Contemporary History Potsdam, 15-17 November 2023, Berlin (DE).
  • (together with Jakub Machek) Negotiating Frontiers of Taste and Social Groups: The Case of Newly Composed Folk Music, its Fans and Haters, How Does “Your” Music Sound? Belonging, Communities, and Identities in Popular Music across Central, Eastern and South-Eastern Europe, University of Ljubljana, 9-10 November 2023, Ljubljana (SI).
  • Post-Migrant and Post-Soviet: Music Scenes in Prague, DC23: Dancecult Conference 2023, University of Huddersfield, 19-20 October 2023, Huddersfield (UK).
  • “We, who are not as others”: Studying Music, Youth and Class in Czech Postsocialism, Populäre Kulturen / Popular Cultures. 8. Jahrestagung der Kulturwissenschaftlichen Gesellschaft, Saarland University, 27–30 September 2023, Saarbrücken (DE).
  • Deutschpunk across the Border: Czech perspective, PANK! – (German) language in zines, punk art and punk rock, Punk Symposium in Berlin, Punk Scholars Network, 22 September 2023, Berlin (DE).
  • Nihil obstat: Approaching Trangression in the Second Wave Black Metal, Metal and Transgression: Scenes, Politics, and Religion, Masaryk University, 6-7 September 2023, Brno (CZ).
  • Methodologies of Czech Punk Scholarship: Politics Above All?, Horizons of Punk: Punk-Rock Scholarship and its Methodologies, Université Gustave Eiffel, 11 June 2023, Noisy-le-Grand (FR).
  • Czech Punk, Activism and Research, Music, Research, and Activism Conference, Helsinki University, 10–12 May 2023, Helsinki (FI).
  • Masculinity, Exoticism and Carnival: Post-Soviet Hardbass Scenes in Prague, The British Association for Slavonic and East European Studies (BASEES) 2023 annual conference, Glasgow University, 31 March – 2 April 2023, Glasgow (UK).
  • Alternative Music in Global Networks: Magazine Uni in Czech postsocialism, Pop Cultures: Cultural and Creative Industries, Concepts and Problems, Progressive Connexions, 18 – 19 March 2023, Prague (CZ).
  • Negotiating heritage: Discussions on popular music and folklore in postsocialist Europe, The Heritage of Central and Eastern Europe, Jagellonian University, 8 December 2022, Krakow.
  • (together with Alexandra Karamoutsiou and Miroslav Michela) Local Punk Zines and Global Networks: Thessaloniki and Brno in Transition, Punk Scholars Network Annual Conference and Postgraduate Symposium, Middlesex University, 2 December 2022, London.
  • (ve spolupráci s Katharinou Alexi) Politicized and Commodified “Children’s Music” and Its Interrelation to “Adult Music”. Traces from Major Labels to DIY Music Cultures, 32. GFPM-Tagung, 5. IASPM D-A-CH-Konferenz, Parallelgesellschaften, mdw – Universität für Musik und darstellende Kunst Wien, 21 October 2022, Vienna.
  • Post-Migrant and Post-Soviet: Music Scenes in Prague, The urgency of contemporary post-Soviet popular music: Politics and aesthetics, Popakademie Baden-Württemberg, 14 October 2022, Mannheim.
  • (ve spolupráci s Jakubem Machkem a Irenou Šentevskou) From Working Class Hero to Working Class Zero (and Back With a Vengeance): Popular Music, Class and Populism in the Czech Republic and Serbia, Popular Music, Populism and Nationalism in Contemporary Europe, University of Oldenburg, 7 April 2022, Oldenburg.
  • Lifestyle Against Politics: (Sub)cultures of Czech and Russian Post-Socialist Antifascism, 2021 Association for Slavic, East European, and Eurasian Studies (ASEES) Annual Convention, 21 November 2021, New Orleans.
  • Lifestyle Against Politics: (Sub)cultures of Czech and Russian Post-Socialist Antifascism, 2021 Association for Slavic, East European, and Eurasian Studies (ASEES) Annual Convention, 21 November 2021, New Orleans.
  • Hooligan Frenzy. Ecstatic Violence and Late State Socialist East European Football, Pop Cultures and Ecstatic States of the Body, 1950s – 1980s, University of Copenhagen, 1 October 2021, Copenhagen.
  • (ve spolupráci s Jakubem Machkem) The Clash of Canons: Šlágr and Lidovka Heroes and Villains, Heroes, Canons, Cults. Critical Inquiries, University of Music and Performing Arts Vienna, 12 August 2021, Reichenau an der Rax.
  • Places of revolt: Geographical references in Slovak anarchist press around the turn of the millennium, Keep it simple, make it fast (KISMIF annual conference 2021), University of Porto, 8 July 2021, Porto.
  • Old Drunks and Boring Vegans: Profiling Two Generations of Aging Czech Punks, Gender and Age/Aging in the Context of Popular Culture, University of Graz, 24 June 2021, Graz.
  • (ve spolupráci s Jakubem Machkem) Šlágr and lidovka: A battlefield between the local and global mainstream, Listening to (Mainstream) Popular Music in 2021: Sounds and Practices, University of Innsbruck, 12 June 2021, Innsbruck.
  • Post-socialist Prague as a migration hub: Cultural aspects and controversies, Post-Socialist City in a Social and Cultural Perspective, Warsaw University, 8 June 2021, Warsaw.
  • Why?” “Because of Sparta!”: Images of Football Hooliganism on Czechoslovak TV in the Perestroika Era, Studies in Eastern European Cinemas Conference 2021, University of Central Lancashire, 4 June 2021, Preston.
  • “Sounds of Slavic unculturedness”: Music as Gendered, Aged and Classed Emotion of Exclusion and Inclusion in Transnational Space, Emotions of Inclusion and Exclusion in Transnational Spaces, University of Copenhagen, 21 May 2021, Copenhagen.
  • (together with Jakub Machek) ‚No Exciting News – Anxiety-free Czechoslovak Media Soothing the Late Socialist Society‘, EXCITING NEWS! Event, Narration and Impact from Past to Present, Irish Humanities Alliance annual conference, University College Cork, 16 March 2021, Cork.
  • “Raz raz raz, eto hardbass”: Masculinity, (self-)exoticization, and class mimicry, Post-Soviet sphere: Analysing current trends. CBEES and Södertörn University, 5 February 2021, Stockholm.
  • (together with Jakub Machek) Heimatsmusik in Prague: Rural nostalgia in the capital?, Urban Nostalgia: The Musical City in the 19th and 20th Centuries, École des hautes études en sciences sociales, 6 July 2020, Paris.
  • „The Different City Experience“: Same Old Song?, Groove the City 2020 – Constructing and Deconstructing Urban Spaces through Music, Leuphana University, 15 February 2020, Lüneburg.
  • Czech images of Visegrad collaboration during the crisis of European migration policies. Understanding Identities and Regions – Perspectives on V4 and WB. University of Sarajevo, 10 May 2019, Sarajevo.
  • I am Satan, I am Lucifer, I am the Devil: Ecstasy in Black metal, Black metal theory symposium, Radio Študent, Gallery of Arts, Ljubljana, 18 April 2019, Ljubljana.
  • Transnational circulation of far-right ideology through music and dance, Participatory Approaches to Music & Democracy, University of Music and Performing Arts Vienna, 13 August 2018, Reichenau an der Rax.
  • Visuals of Contemporary Czech Xenophobia, Mniejszości w Czechach, Czesi wobec mniejszości, Warsaw University, 8 October 2016, Warsaw.
  • Together About Ourselves. City and Diversity, Challenges for Citizenship Education. University of Roehampton

Zahraniční pobyty a stáže 

  • 2024: University of Vienna, Research Center for the History of Transformations
  • 2022: Aristotle University of Thessaloniki, School of Music Studies
  • 2021-2022: Universität für Musik und darstellende Kunst Wien
  • 2019: Karl-Franzens-Universität, Štýrský Hradec
  • 2018: Universiteit Antwerpen, Antverpy
  • 2014: Центр экономических и финансовых исследований и разработок, Moskva.
  • 2007-2014: Institut za etnologiju i folkloristiku, Záhřeb
  • 2007: Karl-Franzens-Universität, Štýrský Hradec
  • 2005-2008: Université Paul Valéry, Montpellier
  • 2003-2004: Maison de science d’homme, École des hautes études en sciences sociales, Paříž
  • 2001-2002: Università degli studi di Pisa, Pisa

Členství v oborových organizacích

  • Association des Anciens du CEFRES, Centre français de recherche en sciences sociales (treasurer).
  • Association for Slavic, East European, and Eurasian Studies.
  • British Association for Slavonic and East European Studies.
  • Centre for Cultural and Historical Research of Socialism.
  • Czech Association of Research Managers and Administrators.
  • Czech and Slovak Archive of Subcultures.
  • Czech Metal Studies.
  • Centre for the Study of Popular Culture (co-founder).
  • Dancecult Research Network.
  • European Network for Research Evaluation in the Social Sciences and the Humanities.
  • Ethics and Research Integrity Officer Network.
  • International Association for the Study of Popular Music.
  • International Association for Comparative Fascist Studies.
  • Network for Trainers on Research Quality and Integrity.
  • Urban Music Studies Network.
  • Metal Studies in Central Eastern Europe.
  • Music in Post-Soviet sphere.
  • Popular Music in Greece: International Research Collective.
  • Punk Scholars Network.
  • Worldwide Antifascism Research Network

Další profesní aktivity 

  • 2010 – dosud – člen Centre européen d’études bourguignonnes (CEEB) 
  • 2014 – 2017 – COST-Action 1301 „New Communities of Interpretation“ (Managment Commitee member)

Organizace mezinárodních konferencí:  

  • Organizátor Heritage, Memory and Community in Electronic Music and Dance Cultures, 14 – 15 May 2026, Prague (CZ).
  • Člen organizačního výboru Negotiating the Revolt: Punk in Times of Political Transformation, 16 – 18 May 2025, Prague (CZ).
  • Člen organizačního výboru Contemporary Histories of Populist Success in Central and Eastern Europe: Discourse, Culture, and Democratic Decline, 13 – 14 March 2025, St. Andrews (UK).
  • Organizátor workshopu Contemporary Cultural History 2.0, 27 – 29 September 2024, Prague (CZ).
  • Člen organizačního výboru Exploration of Class, Distinction and Habitus in Popular Culture of Central and Eastern Europe, 27 – 28 October 2023, Prague (CZ).
  • Organizátor konferenčního panelu na Studying Popular Culture in Eastern European Transition. »Popular Cultures«, 8th Annual Conference of the Kulturwissenschaftliche Gesellschaft (KWG), 27–30 September 2023, Saarbrücken (DE).
  • Organizátor Mapping and Boosting Digital Humanities in the Visegrad Region. Cultural Studies and Cultural Heritage Studies in the V4 countries, 19 – 20 May 2022, Prague (CZ).
  • Člen organizačního výboru Mládež, populární hudba a třída v časech postsocialistické změny, 18. 6. 2021, Olomouc.
  • Člen organizačního výboru Mainstream! Popular Culture in Central and Eastern Europe, 29. – 31. 10. 2020, Praha
  • Člen organizačního výboru Building the Scenes? Fan/zines in Central Eastern and South Eastern Europe before and after the Fall of Berlin Wall, 22. – 23. 2. 2019, Praha.
  • Člen organizačního výboru Kam kráčí studium populární kultury v českém a slovenském prostředí? 27. – 29. 10. 2017, Ostrava.
  • Člen organizačního výboru Beyond the Café/Pub Split: Interlocking Urbanity and Rurality in the Popular Culture of East Central European Societies, 30. – 31. 10. 2015, Praha.
  • Člen organizačního výboru “Listening to the Wind of Change”: Popular Culture and Post-Socialist Societies in East-Central Europe, 18. – 19. 10. 2013, Praha.
  • Člen organizačního výboru Populární kultura a česká identita, 27. – 28. 5. 2011, Moravská Třebová.
+ BIBLIOGRAFIE 

Odborné monografie 

  • DANIEL, Ondřej, Bigbít nebo turbofolk: Představy migrantů z bývalé Jugoslávie v západní Evropě (Francie a Rakousko) [Rock or Turbofolk: The Imagination of Migrants from the Former Yugoslavia (France and Austria)]. Praha: AntropoWeb 2013.
  • DANIEL, Ondřej, Násilím proti novému biedermeieru: subkultury a většinová společnost pozdního státního socialismu a postsocialismu [Violence against „new Biedermeier“: Subcultures and Mainstream Society of Late State Socialism and Post Socialism]. Příbram: Pistorius a Olšanská 2016.
  • DANIEL, Ondřej, Ušima střední třídy: Mládež, hudba a třída v českém postsocialismu [Through the Ears of the Middle Class: Music, Youth and Class in the Czech Postsocialism]. Praha: Togga 2023.
  • DANIEL, Ondřej – MACHEK, Jakub, A Cultural History of Czech Music and Society: Bridging Folk and Pop. Bristol: Intellect 2026.

Editované monografie 

  • DANIEL, Ondřej – LAW Ian – NEKORJAK Michal – VAJDA Roza, Comparative Analysis of Ethnic Relations, EDUMIGROM Comparative Papers, 2009.
  • DANIEL, Ondřej – MACHEK, Jakub – KAVKA, Tomáš (eds.), Populární kultura v českém prostoru [Popular Culture in the Czech Space]. Praha: Karolinum 2013.
  • DANIEL, Ondřej a kol., Kultura svépomocí. Ekonomické a politické rozměry v českém subkulturním prostředí pozdního státního socialismu a postsocialismu [DIY Culture: Economical and Political Dimensions of Czech Subcultural Practice of Late State Socialism and Post Socialism]. Praha: Filozofická fakulta Univerzity Karlovy 2016.
  • DANIEL, Ondřej – MACHEK, Jakub – KAVKA, Tomáš (eds.), Listening to the Wind of Change. Popular Culture and Subcultures of Czech Post-Socialism. Newcastle upon Tyne: Cambridge Scholars Publishing 2016.
  • DANIEL, Ondřej – ROGERS, Allyson – WRIGHT, James (eds.), Music and Antifascism. London: Routledge 2026.

Kapitoly v knihách

  • DANIEL, Ondřej, Gastarbajteri: Rethinking Yugoslav Economic Migrations Toward European North-West, Transnationalism and Popular Culture. In KLUSÁKOVÁ, Luďa and Steven ELLIS (eds.) Imagining Frontiers, Contesting Identities. Pisa: Pisa University Press, Edizioni Plus 2007, pp. 277-302.
  • DANIEL, Ondřej, L’Europe occidentale et la République tchèque : terres d’exil pour les intellectuels „ex-yougoslaves. In TCHOUKARINE, Igor (dir.) Études du CEFRES n° 11, Septembre 2008, pp. 67-82.
  • DANIEL, Ondřej, Projevy etnických subkultur: kulturní projevy potomků migrantů ve Vídni [Manifestations of ethnic subcultures : cultural expressions of migrant offspring in Vienna]. In BITTNEROVÁ, Dana and Mirjam MORAVCOVÁ (eds.) Etnické komunity v kulturní a sociální různosti [Ethnic communities in cultural and social diversity]. Praha: Fakulta humanitních studií Univerzity Karlovy v Praze 2010, pp. 251-265.
  • DANIEL, Ondřej, Ethnicity, Transnational Communication and Consumerism among the Hip-hop Subcultures in Vienna. In ECKARDT, Frank and John EADE (eds.) The Ethnically Diverse City. Berlin: Berliner Wissenschafts-Verlag GmbH 2011, pp. 509-516.
  • DANIEL, Ondřej, “Nejdiskriminovanější menšina v České republice”: disciplinace, exotizace, idealizace a politika moravské identity [„The Most Discriminated Minority in the Czech Republic“: discipline, exoticization, idealization and the politics of Moravian identity]. In BITTNEROVÁ, Dana and Mirjam MORAVCOVÁ (eds.) Etnické komunity. Kontinuita kulturní reprodukce [Ethnic communities. Continuity of cultural reproduction]. Praha: Fakulta humanitních studií Univerzity Karlovy v Praze 2013, pp. 283-305.
  • DANIEL, Ondřej, Násilí československé mládeže na konci státního socialismu. Bezpečnostní riziko a téma společenské kritiky [Violence of Czechoslovak youth at the end of state socialism. Security risk and the theme of social criticism]. In DANIEL, Ondřej, Jakub MACHEK and Tomáš KAVKA (eds.), Populární kultura v českém prostoru [Popular Culture in the Czech Space]. Praha: Karolinum 2013, pp. 274-290.
  • DANIEL Ondřej – MACHEK, Jakub, Lonťáci and Lufťáci: Researching the Urban/Rural Opposition in Contemporary Czech Society Through Online Discussions. In FIŠEROVÁ, Michaela and Jakub MACHEK et al. New Mediation, New Pop-Culture? Prague: Metropolitan University Prague Press 2015, pp. 70-91.
  • DANIEL Ondřej, From Golden Plains through Black Mountains to the Silver Sea: Nostalgic Spaces of Migrants from the former Yugoslavia. In Martin ZŰCKERT and Heidi HEIN-KIRCHER (eds.) Migration and Landscape Transformation. Changes in Central and Eastern Europe in the 19th and 20th Century. Göttingen: Vandenhoeck & Ruprecht 2016, pp. 107-126.
  • DANIEL Ondřej – ŘÍDKÝ, Josef, Nová „letenská šlechta“?: Hipsteři, jejich paradoxy a ironie jedné ironie [„New Aristocracy“? Hipsters and their Paradoxes]. In BÍLEK, Petr A. and Josef ŠEBEK (eds.) Česká populární kultura. Transfery, transponování a další tranzitní procesy [Czech popular culture. Transfers, transpositions and other transit processes]. Praha: Filozofická fakulta, Univerzita Karlova 2017, pp. 322-349.
  • DANIEL Ondřej, Limits of a Post-Velvet Normality: Subcultures, Violence and Class in Late 1990s Czech Society. In DANIEL, Ondřej, Jakub MACHEK and Tomáš KAVKA (eds.). Listening to the Wind of Change. Popular Culture and Subcultures of Czech Post-Socialism. Newcastle upon Tyne: Cambridge Scholars Publishing 2016, pp. 146-165.
  • DANIEL Ondřej, On human trafficking, Schengen visas and drunken workers: Czech media representations of Poland in light of three migration issues after 2013. In MARCZUK Karina (ed.) Good Neighbourhood Treaties of Poland. Basingstoke: Palgrave 2019, pp. 145-160.
  • DANIEL Ondřej, Hardbass: Intersectionality, Music, Social Media and the Far-Right on the European Periphery, In APPEN, Ralf von and Mario DUNKEL (eds.). (Dis-)Orienting Sounds: Machtkritische Perspektiven auf populäre Musik. Bielefeld: Transcript-Verlag, 2019, pp. 153-166.
  • DANIEL Ondřej, Antidekáda 1985-1995 [Antidecade 1985-1995], In VANČÁT, Pavel (ed.). Obrazy konců dějin [Images of the End of History]. Praha: Uměleckoprůmyslové muzeum v Praze a BiggBoss, 2020, pp. 7-13.
  • DANIEL Ondřej, “Not racists but careful”: Czech images of Visegrad collaboration during the crisis of European migration policies. In BALASZ, Adam Bence and Christina GRIESSLER (eds.). The Visegrad Four and the Western Balkans. Framing Regional Identities, Andrássy Studien zur Europaforschung (Band 25). Baden-Baden: Nomos, 2020, pp. 109-124.
  • DANIEL Ondřej, Nazism as a Mode of Transgression: Politicization of Post-socialist Czech and Slovak Black Metal. In CHARVÁT Jan (ed.) OUT OF STEP Politics and Subcultures in Post-socialist Space. Praha: Dokořán 2021, pp. 75-88.
  • DANIEL, Ondřej, “Vodka, beer, papirosy”: Eastern European working class cultures mimicry in contemporary hardbass. In KÖLBL, Marko and Fritz TRÜMPI (eds.). Music and Democracy. Vienna: mdwPress, 2021, pp. 153-170.
  • DANIEL, Ondřej – MACHEK, Jakub, Vyjednávání hranic hudebního vkusu: kulturní kapitál mezi Šlágr TV a Radiem Punctum [Negotiating the Frontiers of Taste: Cultural Capital of Hybrid Forms of Folk and Popular Music]. In PŘIBYLOVÁ, Irena and UHLÍKOVÁ, Lucie (eds.). Od folkloru k world music. Hudba a kapitál [From folklore to world music. Music and capital]. Náměšť nad Oslavou: Městské kulturní středisko, 2021, pp. 94-103.
  • DANIEL, Ondřej, State Liberation or State Abolition? Czech Punk between Anti-Communism and Anarchism. In Jim DONAGHEY et al. (eds.) Smash The System! Punk Anarchism as a Culture of Resistance. Bristol: Active Distribution, 2022, pp. 169-188.
  • DANIEL, Ondřej – DE HAAN, Ido – SURUN, Isabelle. Migration in Contemporary History (ca. 1900–2000). In HANSEN, Jan, HUNG, Jochen, IRA, Jaroslav, KLEMENT, Judit, LESAGE, Sylvain, SIMAL, Juan Luis and TOMPKINS, Andrew (eds.). The European Experience: A Multi-Perspective History of Modern Europe. Cambridge, UK: Open Book Publishers, 2023, pp. 85-96.
  • DANIEL, Ondřej – SCHMIDT, Jürgen – VARGA, Zsuzsanna. Labour and Forced Labour in Contemporary History (ca. 1900–2000). In HANSEN, Jan, HUNG, Jochen, IRA, Jaroslav, KLEMENT, Judit, LESAGE, Sylvain, SIMAL, Juan Luis and TOMPKINS, Andrew (eds.). The European Experience: A Multi-Perspective History of Modern Europe. Cambridge, UK: Open Book Publishers, 2023, pp. 679-690.
  • DANIEL, Ondřej – GYIMESI, Zsuzsanna – LENK, Kevin – TAMAGNE, Florence. Generations and Lifecycles in Contemporary History (ca. 1900–2000). In HANSEN, Jan, HUNG, Jochen, IRA, Jaroslav, KLEMENT, Judit, LESAGE, Sylvain, SIMAL, Juan Luis and TOMPKINS, Andrew (eds.). The European Experience: A Multi-Perspective History of Modern Europe. Cambridge, UK: Open Book Publishers, 2023, pp. 807-816.
  • DANIEL, Ondřej – de LIMA GRECCO, Gabriella – TAMAGNE, Florence – ZIEREBERG, Malte. Mass Media and Popular Culture in Contemporary History (ca. 1900–2000). In HANSEN, Jan, HUNG, Jochen, IRA, Jaroslav, KLEMENT, Judit, LESAGE, Sylvain, SIMAL, Juan Luis and TOMPKINS, Andrew (eds.). The European Experience: A Multi-Perspective History of Modern Europe. Cambridge, UK: Open Book Publishers, 2023, pp. 875-884.
  • DANIEL, Ondřej, Kultura: Rozevlátá a nespoutaná, ale pevně usazená [Culture: flamboyant and unrestrained, but firmly established]. In RYCHLÍKOVÁ, Apolena and Veronika PEHE (eds.). Věčná devadesátá. Proměny české společnosti po roce 1989 [The Eternal Nineties. Changes in Czech Society after 1989]. Brno: CPress 2023, pp. 131-145.
  • ŠIMA, Karel – DANIEL, Ondřej, Societal impact evaluation in SSH in the Czech Republic: in defence against the strong STEM application discourse. In Zoe BULAITIS and Michael OCHSNER (eds.). Accountability in Academic Life: European Perspectives on Societal Impact Evaluation. Cheltenham, Northampton: Edward Elgar, 2023, pp. 81-95.
  • MICHELA, Miroslav – DANIEL, Ondřej, Solidarity, Revolt or Exotism? Transferals of the Ska and Reggae Culture to Czech and Slovak Fans. In Elke WEESJES and Matt WORLEY (eds.). Music, Subcultures and Migration: Roots and Routes. London: Routledge 2024, pp. 143-154.
  • DANIEL, Ondřej – MACHEK, Jakub, All Quiet on the Domestic Front? Ways of Dealing with Anxiety in Late Socialist Czechoslovak Media. In Brendan DOOLEY and Alexander Samuel WILKINSON (eds.) Exciting News! Event, Narration and Impact from Past to Present. Amsterdam: Brill 2024, pp. 297-309.
  • DANIEL, Ondřej, “World music” vs. “Folk-like music”: Age and Class in Debates about Musical Genres of 1990s Czech Society. In Yvetta KAJANOVÁ (ed.) Ubuntu Fusion Music. Berlin: Peter Lang 2024, pp. 181-196.
  • DANIEL, Ondřej, “Slavic unculturedness”. The Diasporic Emotions of Electronic Dance Music. In Sonia CANCIAN, Peter LEESE and Soňa MIKULOVÁ (eds.). Migrant Emotions: Inclusion and Exclusion in Transnational Spaces. Liverpool: Liverpool University Press 2024, pp. 151-167.
  • DANIEL, Ondřej, Lifestyle and Memory: Profiling Two Generations of Ageing Czech Male Punks. In Laura WAY and Matt GRIMES (eds.). Punk, Ageing and Time: Punk Passages. Cham: Palgrave Macmillan 2024, pp. 33-52.
  • DANIEL, Ondřej, Unsichtbare Ukrainerinnen und Ukrainer? Zur Debatte über die kulturhistorische
  • Erforschung von Zuwanderung nach Wien und Prag [Invisible Ukrainians? Towards a Debate on the Cultural and Historical Study of Migration to Vienna and Prague]. In STOKLÁSKOVÁ, Zdeňka, Mojmír STRÁNSKÝ und Philipp THER (Hg.). Österreich und Tschechien als Immigrationsländer. Transnationale Arbeitsmigration seit 1780 im historischen Vergleich [Austria and the Czech Republic as immigration countries. A historical comparison of transnational labour migration since 1780]. Münster-Wien: LIT-Verlag 2024, pp. 130-145.
  • DANIEL, Ondřej, Popular culture of Czech Postsocialism: Mapping Academic Terrain. In Ana BANIĆ GRUBIŠIĆ and Vlado KOTNIK (eds.). Popular Culture in Post-Socialism. Belgrade: Faculty of Philosophy, University of Belgrade 2024, pp. 11-22.
  • DANIEL, Ondřej, Nostalgia of the Frontier: Baja Mali Knindža and the Songs of Krajina Serb Diaspora. In Paul CARR (ed.) Nostalgia, Song and the Quest for Home: Production, Text, Reception. New York, London, Dublin: Bloomsbury Academic 2025, pp. 103-118.
  • DANIEL, Ondřej, „Všichni jednou zaklepem na nebeskou bránu“: Bob, Axl i Fanánek [„One day we’ll all knock on Heaven’s Gate“: Bob, Axl, even Fanánek]. In BÍLEK, Petr A. Apropriace Boba Dylana [Approapriating Bob Dylan]. Accepted.
  • DANIEL, Ondřej, Black Celebration in Red Prague: Concert of Depeche Mode in March 1988. In Geoff STAHL, Nabeel ZUBERI and Holly KRUSE. Just Can’t Get Enough: Synth-Pop and Its Legacies. Bloomsbury Publishing. Accepted.
  • DANIEL, Ondřej – ŠENTEVSKA, Irena, From Hero to Zero (and Back with a Vengeance): Popular Music, Populism and Nationalism in the Czech Republic and Serbia. In Mario DUNKEL and Reinhard KOPANSKI (eds.) Music, Populism and Nationalism in Contemporary Europe. London: Routledge. Under review.

Články v recenzovaných periodicích

  • DANIEL, Ondřej, Virtuální primordialismus: transnacionální sítě a kulturní produkce diaspory (příklady Bosňáků a Kabylů) [Virtual Primordialism: Transnational Networks and Cultural Production of Diaspora]. In Sociální studia [Social studies], 2009, 6, 1, pp. 116–126.
  • DANIEL, Ondřej, Bariéry pro příchod mezinárodních vědeckých pracovníků do Česka [Barriers for incoming of international researchers in the Czech Republic]. In Ergo, 2012, 7, 3, pp. 10-15.
  • DANIEL, Ondřej, Kánon a alibi: anticiganismus postsocialistických subkultur [The Canon and the Alibi: The Anti-Roma Racism of Czech Postsocialist Subcultures]. In Slovo a smysl [Word and Sense], 2013, 20, pp. 260-271.
  • DANIEL, Ondřej – LOMÍČEK, Jan, Zdivočelí rodáci: Jak (ne)zobrazovat nástup KSČ k moci [Fellow Countrymen Gone Wild: How (Not) to Depict the Rise to Power of the Communist Party of Czechoslovakia]. In Forum Historiae 2013, 7, 1, pp. 75-91.
  • DANIEL, Ondřej, Zjednoczeni przeciw odmienności? Trzydzieści lat czeskiej ksenofobii, 1985–2015 [United against Diversity? 30 Years of Czech Xenophobia]. In Zeszyty Łużyckie [Sorabian Papers]. 2017, 51, 1., pp. 71-88.
  • DANIEL, Ondřej, “Magické noci počal čas“: new-age spiritualita a subkultury v čase změn [Praga magica: New-age spirituality and Czech subcultures during the changes of late 1980s and early 1990s]. In Studia Ethnologica Pragensia. 2017, 3, 1., pp. 96-106.
  • DANIEL, Ondřej, “Give and Take”: Postsocialist “New Bourgeoisie” in Music Videos. In Narodna umjetnost. 2018, 55, 1., pp. 67-79.
  • DANIEL, Ondřej – ALMER, Jiří, “666 XXX”: Sexploitation in Czech and Slovak Black Metal and Porno-Gore Grind. In ČKZ Journal for the Critique of Science, for Imagination and New Anthropology. 2018, 274, pp. 199-214.
  • DANIEL, Ondřej, ‘Wildlife’. Ecstatic practices of hardcore football and extreme music fans during the Czech and Slovak postsocialism. In The Czech Ethnological Journal. 2019, 106, 1, pp. 69-83.
  • DANIEL, Ondřej – KULMIŃSKI, Robert, Evaluating publication trends and internationalization of selected SSH journals: evidence from Czech Republic and Poland. In Evaluační teorie a praxe. 2019, 7, 2, pp. 1–13.
  • DANIEL, Ondřej, Places of Revolt: Geographical References in the Slovak Anarchist Press Around the Turn of the Millennium. In Forum Historiae 2020, 14, 1, pp. 39-52.
  • DANIEL, Ondřej, Music subculture vs. class revolutionaries: Czech antifascism in the postsocialist era. Fascism. Journal of Comparative Fascist Studies. 2020, 9, 1-2, pp. 54-72.
  • ŠIMA, Karel – DANIEL, Ondřej – KAVKA, Tomáš, 2013 – East by Eastwest: Cultural Studies’ Route to Eastern Europe. Lateral Journal 2021, 10, 2.
  • DANIEL, Ondřej, The Right to Polished Sound: Age and Class in the Viennese Balkan Music Scene. Journal of Sonic Studies 2022, 23.
  • DANIEL, Ondřej, “Songs for Ordinary People”: Popular Music and Class in Czech Postsocialism. Communist and Post-Communist Studies 2022, 55, 2, pp. 84-103.
  • DANIEL, Ondřej, Plucking the Strings of Working-Class Xenophobia: The Case of Ortel, a Czech Band in the mid-2010s. Totalitarismus und Demokratie 2022, 19, pp. 95–109.
  • DANIEL, Ondřej – MICHELA, Miroslav, If the Kids are United: Rassismus und Antifaschismus im Punk- und Skinheadmilieu in Tschechien und der Slowakei in der ersten postsozialistischen Dekade [If the Kids are United: Racism and Anti-Fascism in the Punk and Skinhead Milieu in the Czech Republic and Slovakia in the First Post-Socialist Decade]. Arbeit – Bewegung – Geschichte 2022, 21, 3, pp. 95-116.
  • DANIEL, Ondřej, From Street Parties to Hardbass: Dance and Protest in Postsocialist Urban Space. IASPM Journal 2023, 13, 2, pp. 59-73.
  • DANIEL, Ondřej, “Stupid music for stupid people”: Negotiating Class in a Small Town in Moravia. Journal of Nationalism, Memory & Language Politics 2023, 17, 2, pp. 243-260.
  • DANIEL, Ondřej, Zatracovaná, či oblíbená hudba? Recepce hudebních žánrů na pomezí lidové a populární hudby v česko-rakouském kulturním kontaktu na počátku 90. let 20. století [Damned or Adored Music? Czech and Austrian pop-folk in the early 1990s]. Národopisná revue [Journal of Ethnology] 2023, 3, pp. 167-176.
  • JÜRGENS, Anne – TEDESCHI, Gabriella – D´ERRICO, Gerardo – KILIAN, Krzysztof – ZAWADZKI, Konrad – DANIEL, Ondřej – LEIBFRIED, Andrea – POSCHET, Gernot – LAU, Lilian – HELM-PETERSEN, Nikolaj, Navigating the frontier: research infrastructures, core facilities and a new paradigm at European Universities. Cogent Education 2024, 11 (1). https://doi.org/10.1080/2331186X.2024.2365613
  • CHAPUIS, Yves – DANIEL, Ondřej – MACHEK, Jakub –MAGWATI, Phineas, The (Un)popular Brass – Evidence from Czechia, Switzerland, and Zimbabwe. Journal of World Popular Music 2025, 12 (1), pp. 91–119.
  • DANIEL, Ondřej – MICHELA, Miroslav, Beyond the Wind of Change: Popular Music and Velvet revolution. Accepted by Popular Music History.
  • DANIEL, Ondřej – KARAMOUTSIOU, Alexandra, Disturbing “Calm for Work”: Studying 1980s Czechoslovak and Greek Punk Comparatively. Under review of Punk and Post-Punk.
  • DANIEL, Ondřej – MACHEK, Jakub, Urban Folk and Brass Bands: Pastoral and Urban Nostalgia in Prague. Under review of Nineteenth-Century Music Review.

Články v recenzovaných periodicích

  • DANIEL, Ondřej – MACHEK, Jakub – KAVKA, Tomáš, Popular Culture and Post-Socialist Societies in East-Central and South Eastern Europe. Media studies 2015, 2.
  • DANIEL, Ondřej – ŠIMA, Karel, Subkultury [Subcultures]. The Czech Ethnological Journal 2019, 106, 1.
  • DANIEL, Ondřej, Mainstream! Popular Cuture in Central and Eastern Europe. Prague Papers on the History of International Relations 2020, 1.
  • DANIEL, Ondřej – KULMIŃSKI, Robert, Digital Studies of Culture in Central Europe. Colloquia Humanistica 2024, 13.

 

 

Úvod > Ondřej Daniel